Showing posts with label nature. Show all posts
Showing posts with label nature. Show all posts

Tuesday, May 27, 2014

Happy Birthday to Rachel Carson 5/27



Rachel Louise Carson (May 27, 1907 – April 14, 1964) was an American marine biologist and conservationist whose book Silent Spring and other writings are credited with advancing the global environmental movement.

Carson began her career as an aquatic biologist in the U.S. Bureau of Fisheries,[2] and became a full-time nature writer in the 1950s. Her widely praised 1951 bestseller The Sea Around Us won her a U.S. National Book Award,[3] recognition as a gifted writer, and financial security. Her next book, The Edge of the Sea, and the reissued version of her first book, Under the Sea Wind, were also bestsellers. This sea trilogy explores the whole of ocean life from the shores to the depths.

Late in the 1950s, Carson turned her attention to conservation, especially environmental problems that she believed were caused by synthetic pesticides. The result was Silent Spring (1962), which brought environmental concerns to an unprecedented share of the American people. Although Silent Spring was met with fierce opposition by chemical companies, it spurred a reversal in national pesticide policy, which led to a nationwide ban on DDT and other pesticides, and it inspired a grassroots environmental movement that led to the creation of the U.S. Environmental Protection Agency.[4] Carson was posthumously awarded the Presidential Medal of Freedom by Jimmy Carter.





Monday, November 11, 2013

Death....death....DeatH


An intention of mine for this month is to spend much time thinking about and working with my fear of Death.  It is interesting because once I brought this intention in to the world, I began to notice Death everywhere around me.  Waking early to gifts of rat parts from my cat.  The Death of my grandmother's husband.  The dying of the leaves.  Books and films having much more to do with Death than I realized when I began them.


I do plan to take in much art and writing as it pertains to Death.  I have begun reading a book titled How To Fall and have other books about Death and dying, waiting to be read.

I am not sure why Death has always scared me so.  As with my other fears, I am trying to work with my fear of Death, rather than overcoming it.  I see the acceptance of Death has the ultimate plunge into and acceptance of the mystery that is life.  In my way of thinking, mystery is the only tangible thing worth of our worship.  Death is the greatest threshold that we ever cross because before we cross over, we have no idea what is on the other side and once we get to the other side, there is the possibility that we will know everything or that the knowing within us will cease.

Therefore, I am making a secret pact with Death, that will bind me to her, as if I had a choice in the matter.  The choice is to accept this final marriage or to run from it.  Either way it will happen, so I will begin to embrace all the facets of life that lead me closer towards Death.  I will celebrate each heartbreak, gray hair and aching joint and when my time comes, as it no doubt will, I will reach my hand out toward Death rather than pulling away.

“For what is it to die but to stand naked in the wind and to melt into the sun?
And what is to cease breathing, but to free the breath from its restless tides, that it may rise and expand and seek God unencumbered?
Only when you drink from the river of silence shall you indeed sing.
And when you have reached the mountain top, then you shall begin to climb.
And when the earth shall claim your limbs, then shall you truly dance.
” 
----"On Death" The Prophet by Khalil Gibran

                                      Halloween 2013

When Your Life Looks Back by Jane Hirshfield
When your life looks back—
As it will, at itself, at you—what will it say?
Inch of colored ribbon cut from the spool.
Flame curl, blue-consuming the log it flares from.
Bay leaf. Oak leaf. Cricket. One among many.

Your life will carry you as it did always,
With ten fingers and both palms,
With horizontal ribs and upright spine,
With its filling and emptying heart,
That wanted only your own heart, emptying, filled, in return.
You gave it. What else could do?
Immersed in air or in water.
Immersed in hunger or anger.
Curious even when bored.
Longing even when running away.
"What will happen next?"—
the question hinged in your knees, your ankles,
in the in-breaths even of weeping.
Strongest of magnets, the future impartial drew you in.
Whatever direction you turned toward was face to face.
No back of the world existed,
No unseen corner, no test. No other earth to prepare for.
This, your life had said, its only pronoun.
Here, your life had said, its only house.
Let, your life had said, its only order.
And did you have a choice in this? You did—
Sleeping and waking,
the horses around you, the mountains around you,
The buildings with their tall, hydraulic shafts.
Those of your own kind around you—
A few times, you stood on your head.
A few times, you chose not to be frightened.
A few times, you held another beyond any measure.
A few times, you found yourself held beyond any measure.
Mortal, your life will say,
As if tasting something delicious, as if in envy.
Your immortal life will say this, as it is leaving.




Old Woman Nature by Gary Snyder

Old Woman Nature
naturally has a bag of bones
   tucked away somewhere.
   a whole room full of bones!
A scattering of hair and cartilage
   bits in the woods.
A fox scat with hair and a tooth in it.
   a shellmound
      a bone flake in a streambank.
A purring cat, crunching
   the mouse head first,
      eating on down toward the tail—
The sweet old woman
   calmly gathering firewood in the
      moon …
Don’t be shocked,
She’s heating you some soup.


Sunday, September 15, 2013

Writings from Walleye #4 9/15/2013

 
art by Morgaine Faye 
 
I writhe beneath your gaze, the fierceness of your black, animal eyes singeing the hair on my body.  The leaves crunch beneath me on the forest floor, my head rests on a bed of moss.  In the darkness I hear small footsteps as little lives scurry past my ears, I hear the insects as they work their way through the soil.  I open my chest to you, offering up my heart and other precious organs.  Suddenly, my mouth is flooded with the taste of iron, your muzzle stained red as I am devoured and fall further into the gentle arms of the Earth.
 
********************************************************************************
 
Once, I slept as a mountain, dreaming through many thousands of years.  Pieces of me carried South with the water, pieces of me carried North with the wind.  Every cloud and star had a name that left my head upon waking.  The Sun was my day skin and the Moon my night.  Hunters made their homes deep within me.  I was never still but instead the whole of me followed gently and passively the steady tumble of the rest, through the void.
 
********************************************************************************
 
The winds held us aloft until we had come to the desert. We drifted off to sleep to strange and unfamiliar bird cries, not quite a caw but something similar.  As we slept, the sands scoured our skin away, leaving only bones, the wind making instruments of us as it sang and whistled it's way through the cage of who we were.  The darkness grew and we were no longer there.  We were the blackness between, a blanket for the stars to rest in.

Sunday, July 14, 2013

Writings from Walleye Vol. #3 7/15/13


********************************************************************************

There is an ache in my shoulders from breaking trees.  The muscles pulled tight from the rise and fall.  My legs still shakey with the energy of last nights tremblings.  And all this time I was a ghost, haunting familiar terrain, where I shouldn't have been.  In sleep, I have been aware of a warm, black presence that is in my heart but that I am only given seconds to caress.  Death and sleep being so similar that sometimes the threshold blurs and you can float back and forth and find a true love dwelling there.

*********************************************************************************

What would happen to a flower, if it chose not to bloom?  To not uncurl and show it's center, the truest reflection of the sun.  How would it dance with the breeze, a shy partner hiding itself in the corner of the room, hoping it's singular magnificence goes unnoticed?  A subtle shift is all it needs to open up and become that living thing it was meant to be, a golden heart at the center of a stem.

*********************************************************************************

A Three Lined Score
1.  The sun hits it's zenith and instead of continuing West, returns East.
2.  There is a zoo and it is on fire.
3.  A hummingbird sipping nectar from a flower, freezes and falls dead.

*********************************************************************************

A Sea Wall That Longs to Break
1)  Why does it want to break?
2)  What will happen when it breaks?
3)  How will the breaking impact it's surroundings?
4)  What will the wall be after it breaks and is no longer a wall?
5)  What function will it serve in it's new form?
6)  Will it miss being a wall?
7)  Does it understand that once it isn't a wall, it can never be the same wall again?
8)  Do any of these questions even matter to the wall?

*********************************************************************************

Friday, June 14, 2013


From my rotting body, flowers shall grow, and I am in them, and that is eternity.
                                                                                                                       -Edvard Munch

Saturday, May 11, 2013

Manifesto: The Mad Farmer Liberation Front by Wendell Berry



 Manifesto:
The Mad Farmer Liberation Front
by Wendell Berry
Love the quick profit, the annual raise,
vacation with pay. Want more
of everything ready-made. Be afraid
to know your neighbors and to die.

And you will have a window in your head.
Not even your future will be a mystery
any more. Your mind will be punched in a card
and shut away in a little drawer.

When they want you to buy something
they will call you. When they want you
to die for profit they will let you know.
So, friends, every day do something
that won't compute. Love the Lord.
Love the world. Work for nothing.
Take all that you have and be poor.
Love someone who does not deserve it.

Denounce the government and embrace
the flag. Hope to live in that free
republic for which it stands.
Give your approval to all you cannot
understand. Praise ignorance, for what man
has not encountered he has not destroyed.

Ask the questions that have no answers.
Invest in the millenium. Plant sequoias.
Say that your main crop is the forest
that you did not plant,
that you will not live to harvest.

Say that the leaves are harvested
when they have rotted into the mold.
Call that profit. Prophesy such returns.
Put your faith in the two inches of humus
that will build under the trees
every thousand years.

Listen to carrion -- put your ear
close, and hear the faint chattering
of the songs that are to come.
Expect the end of the world. Laugh.
Laughter is immeasurable. Be joyful
though you have considered all the facts.
So long as women do not go cheap
for power, please women more than men.

Ask yourself: Will this satisfy
a woman satisfied to bear a child?
Will this disturb the sleep
of a woman near to giving birth?

Go with your love to the fields.
Lie down in the shade. Rest your head
in her lap. Swear allegiance
to what is nighest your thoughts.

As soon as the generals and the politicos
can predict the motions of your mind,
lose it. Leave it as a sign
to mark the false trail, the way
you didn't go.

Be like the fox
who makes more tracks than necessary,
some in the wrong direction.
Practice resurrection.


Saturday, February 23, 2013

Descend into the Loving Arms of the Night



Tender are the hunters
Tender is the night
-Jackson Browne

I have been having some wonderfully inspiring conversations over the last few days and a conversation I had last night got me thinking about one of my favorite subjects, that of descent and darkness.  The darkness is something that I have had a fear of for my whole life.  I always felt hunted in the darkness.

In my way of thinking, fears are not something to be conquered.  The language shouldn't be so aggressive.  Fears exist to illustrate something we cannot see in ourselves, which is why I believe the darkness is such a common fear and fitting symbol.  It takes a lot of bravery to look into the dark places within ourselves but these are often the most rewarding places to look.

I have worked to make an ally of the darkness and feel like I have made some progress.  In the western way of thinking, we are taught to strive for ascension.  To look outside the warm animal bodies we possess to some place in the sky where everything will be safe.  We were never meant to be safe and it is important to learn to accept this.  The only way to feel safe is to give yourself over to the wildness that is life.  If you need to feel comforted, take off your shoes, find a patch of nice unpaved ground and wiggle your toes around a bit.  Find both the physical (feet touching soil) and soulful connection to the truly bigger story that is life on Earth.  Descend into the depths and don't be afraid to look.  What you find, just may save your life.


You, darkness, that I come from
I love you more than all the fires
that fence in the world,
for the fire makes a circle of light for everyone
and then no one outside learns of you.

But the darkness pulls in everything-
shapes and fires, animals and myself,
how easily it gathers them! -
powers and people-

and it is possible a great presence is moving near me.

I have faith in nights.

Rainer Maria Rilke

Tuesday, February 19, 2013



“The human body literally is a microcosm that reflects and contains the entire macrocosm; thus if one could thoroughly explore one’s own body and psyche, this would bring the knowledge of all the phenomenal worlds”
— Stanislav Grof

Thursday, February 7, 2013

Two By John Haines


                                    










 illustration by Jack Unruh


The Ghost Hunter

Far back, in the time of ice
and empty bellies, I and three others
came over the tundra at evening,
driving before us a frightened deer.

We lighted small fires on the hillsides;
and heaped up boulders
at the gates of the valley.

We called to each other over tossing
antlers, beat legbones together,
and shook out bundles of hoofs...

There was a soft thunder in the moss
as the firelit meadow of bodies
broke past to the corral of the dead.

Now the long blade of the autumn wind
sweeps the willows and bearberries,
yellow and red in the evening light.

I hear nothing but the dinosaur tread
of winter, huge wingbeats in the stone.

I have come to this trampled ground,
to stand all night in the wind
with a hollow bone in my hand.

Legend

I.

I understand the story of Gilgamesh,
of Enkidu, who called the wind by name,
who drank at the pool of silence,
kneeling in the sunburnt shallows
with all four-footed creatures.


I know the name of that exile,
the form that it takes within us:
the parting and breaking of things,
the distance and anguish.


I know too, in its utter strangeness,
that whoever asks of the sun its rising,
of the night its moonstruck depths,
stirs the envy of God in his lofty cabin.


And when Enkidu awoke, called
from his changed, companionless sleep
—singly, in glittering pairs,
the beasts vanished from the spring.


II.

The forest bond is broken,
and the tongued leaves no longer
speak for the dumb soul lost
in the wilderness of his own flesh.


All that had life for him:
the moon with her wandering children,
the storm-horse and the shepherd-bird,
become as salt to his outspread hand.


Let him go forth, to try the roads,
become that wasted pilgrim, familiar
with dust, dry chirps and whispers;
to die many times—die as a man dies,
seeing death in the life of things.


And then descend, deep into rootland
—not as temple-gardener, planting
with laurel the graves of gods and heroes,
but as one grieving and lost …


To ask of the dead, of their fallen
web-faces, the spider’s truth,
the rove-beetle’s code of conduct.


By such knowledge is he cured,
and lives to face the sun at evening,
marked by the redness of clay,
the whiteness of ash on his body.


III.

By stealth, by the mastery of names,
and one resounding axe-blow
rung on the cedar-post at dawn,
the great, stomping bull of the forest
was slain. Rain only speaks
there now on the pelted leaves.
Overheard through the downpour,
in the stillness of my own
late-learned solace, I understand
through what repeated error
we were driven from Paradise.
The nailed gate and the fiery angel
are true.
Could we ask them,
speaking their wind-language
of cries, of indecipherable song,
it may be that the swallows
who thread the water at evening
could tell us; or that the sparrows
who flock after rain, would write
in the coarse yellow meal
we have strewn at the threshold,
why God gave death to men,
keeping life for himself.


For the strong man driven to question,
and for him who, equally strong,
believes without asking,
sleep follows like a lasting shadow.
  

Monday, February 4, 2013




Magic Words (An Inuit Poem)
In the very earliest time,
When both people and animals lived on earth,
A person could become an animal if he wanted to
And an animal could become a human being.
Sometimes they were people
And sometimes animals
And there was no difference.
All spoke the same language.
That was the time when words were like magic.
The human mind had mysterious powers.
A word spoken by chance
Might have strange consequences.
It would suddenly come alive
And what people wanted to happen could happen
All you had to do was say it.
Nobody could explain this:
That’s the way it was.

Saturday, January 26, 2013

HoRsEs iN My dReaMs





Hope.....always.....always...........syawla......syawla.......epoH

Monday, December 10, 2012


Butteflies are lovely, silent, like angels.  In the Middle Ages they were a common symbol for the Resurrection: first there is a stumpy little caterpillar, earthbound and greedy; then it apparently dies and is buried in the coffin of its own cocoon; the butterfly emerges metamorphosed-colorful, beautiful, apparently no longer needing food (adult butterflies are primarily nectar drinking), and flying free on gentle wings.  The image is better even than it first appears because something very dreadful and frightening happens inside the chrysalis.  We use the word 'cocoon' now to mean a place of safety and escape, but in fact the caterpillar, having constructed its own grave, does not develop smoothly, growing wings onto its first body, but disintegrates entirely, breaking down into an organic slime which then regenerates in a completely new form.  It goes as a child into the dark place and is lost; it emerges the beautiful princess, or proven hero.  The forest is full of such magic, both in reality and in the stories.

-from the book From the Forest by  Sara Maitland

Thursday, November 29, 2012

Monday, November 26, 2012

There is something alive in a feather.  The power of it is
perhaps in its dream of sky, currents of air, and the silence
of its creation.  It knows the insides of clouds.  It carries our
needs and desires, the stories of our brokenness.  It rises and
falls down elemental space, one part of the elaborate world of
life where fish swim against gravity, where eels turn silver as
moon to breed.

How did the feather arrive at the edge of the dirt road where I
live?  How did it fall across and through currents of air?  How
did the feathers survive fire?  This I will never know.  Nor will
I know what voice spoke through my sleep.  I know only that
there are simple powers, strange and real.

-From the books Dwellings and the essay 
The Feathers by Linda Hogan  

Thursday, November 22, 2012



















Old Woman Nature
naturally has a bag of bones
tucked away somewhere.
a whole room full of bones!
A scattering of hair and cartilage
bits in the woods.
A fox scat with hair and a tooth in it.
a shellmound
a bone flake in a streambank
A purring cat, crunching
the mouse head first,
eating on down toward the tail -
The sweet old woman
calmly gathering firewood in the
moon…
Don’t be shocked,
She’s heating you some soup.

By Gary Snyder

Saturday, January 21, 2012

A(r)MOR(e)

Greed and Aggression by Sharon Olds

Someone in Quaker meeting talks about greed and aggression
and I think of the way I lay the massive
weight of my body down on you
like a tiger lying down in gluttony and pleasure on the
elegant heavy body of the eland it eats,
the spiral horn pointing to the sky like heaven.
Ecstasy has been given to the tiger,
forced into it's nature, the way the
forcemeat is cranked down the the throat of the held goose,
it cannot help it, hunger and the glory of
eating packed at the center of each
tiger cell, for the life of the tiger and the
making of new tigers, so there will
always be tigers on the earth, their stripes like
stripes of night and stripes of fire-light
so if they had a God it would be striped,
burnt-gold and black, the way if
I had a God it would renew itself the
way you live and live while I take you as if
consuming you while you take me as if
consuming me, it would be a God of
love as complete satiety,
greed and fullness, aggression and fullness, the
way we once drank at the body of an animal
until we were so happy we could only
faint, our mouth's running into sleep.



"I look. I look so hard it becomes an embarrassment-
and then I see eyes. Lion eyes. Two amber beads with
a brown matrix. Circles of contentment until I stand;
the lion's eyes change, and I am flushed with fear.

"Quiet," Samuel whispers. "We will watch for a while."

As my eyes become acquainted with lion, I begin to distinguish
fur from grass. I realize there are two lions, a male and
a female lying together under the stingy shade of a thorn tree.
I can hear them breathe. The male is breathing hard and fast,
his black mane in rhythm with the breeze. He puts his right
paw on the female's shoulder. Ears twitch. We are no more
than ten feet away. He yawns. His yellow canines are as long
as my index finger. His jowls look like well-worn leather. He
stands. The grasses brush his belly. Veins protrude from his
leg muscles. This lion is lean and strong. No wonder that in
Maasai mind ever aspect of a lion is imbued with magic.

Acting oblivious to us, he moves to the other side of the tree.
From the protection of the Land Rover, we spot a fresh kill. It
is a wildebeest whose black flesh has been peeled back from a red
scaffolding of bones. The lion sits on his haunches and feeds.
He separates the wildebeest's legs with his paws and slowly sinks
his teeth into the groin. He pulls and tears large strips of meat.
With his head tilted, his carnassials shear more muscle and viscera
from the body cavity. His rasping tongue licks the blood from
the bones. Ribs snap. His claws clamp down on the wildebeest as
though escape was still possible.

The carcass is like a cave that the lion enters. He growls, and the
female joins him. He nibbles her ear and then licks her face and
neck. I am startled by his bloodstained muzzle. Side by side, two
lions devour their prey."

-From "An Unspoken Hunger" by Terry Tempest Williams